Recall Romeo drinking the fatal elixir so he can be with his beloved Juliet for all eternity, only to realize, once it is too late, that his maiden’s plan was to fool everyone else about her apparent death, not him. The ignorant hero’s quickness in action ironically befalls him when it matters most. The message that Friar Lawrence failed to get to Romeo: Juliet is alive. It is easy to recognize missed messages and their symbolism in drama on a strictly linear plot.
However, showing multiple characters missing integral messages becomes a daunting task, which Joseph Boyden masters in his Scotiabank Giller Prize winning novel, Through Black Spruce.
The novel opens with alcoholic bush pilot extraordinaire Will, the grandson of Elijah Whiskeyjack whom Boyden’s first novel, Three Day Road, follows. Speaking to his nieces Suzanne and Annie Bird from his hospital bed, not until the climax is the mystery of Will’s hospitalization revealed. But it only takes until the second narrative, led by Annie, to understand that Will is in a coma, and unable to speak. Thus, from the onset, a conversation is constructed between two people – Will and Annie – who cannot hear what each other is saying.
The novel bounces back and forth between Annie and Will’s narratives with each chapter. We learn that Annie is visiting her uncle on a regular basis, and has been told by Will’s nurse Eva, also a family friend, that speaking to him will help with a bountiful recovery (if a recovery is possible). Via Annie’s attempt to nourish her uncle’s brain, we learn her story.
Annie is back from a wild adventure in search of her long-lost sister, Suzanne, who is a semi-renowned fashion model. Still oblivious to her sister’s track to New York City, Annie makes her first stop in Toronto, the last known whereabouts of Suzanne to her family. Here she meets Painted Tongue, who is later revealed to be named Gordon, and turns out to be Annie’s self-proclaimed “protector.”
Painted Tongue does not speak, and we only understand his thoughts through Annie’s perception of his actions, moans, and moods. The mute Native character is actually a previously dawned character of Boyden’s: the protagonist of a short story, aptly named Painted Tongue, which makes up part of Boyden’s first book, a compilation of his short stories entitled Born With A Tooth. The short story explains why Painted Tongue does not speak: he chooses not to, in protestation to the way he is treated while living on the streets of Toronto. An alcoholic, Painted Tongue moans his way through life, refusing to converse with the neo-colonial symbols he encounters personified in police officers, construction workers, and elite businesspeople. The reader is forced to analyse why he is silenced. And, since he does not converse through language, how Annie Bird always knows what he is thinking – right up to the point of their consummation late in the plotline of Through Black Spruce.
From Toronto, Annie and her protector move on to NYC on a tip that Suzanne is there. Here, Annie is shadowed by the spirit of her missing sister, they fuse into one being. Annie meets Suzanne’s sketchy model-world friends, frequents her clubs, and begins modelling herself. After a while, though, Annie eagerly wants to know what happened to her sister, essential to Will’s current vegetative state. Annie begins to send postcards to her mother back in Moosonee, signed by missing Suzanne, offering another tweaked message image: the sender is absent. Ironically, Annie learns that there are more postcards being sent from Suzanne from around Europe, and Annie and Gordon quickly flee home.
Meanwhile, as Annie tells Uncle Will about her laborious, often life threatening adventures, Will pseudo-responds to her from beyond consciousness. He recounts his life as a bush pilot, flying hunters and travellers in and out of uncharted territories around James Bay, which took a turn for the worse when his family was killed in a house fire. In response, he intentionally crashes his plane, but is saved by the volunteer fire department. So, he drinks to ease his pain.
Will’s conceived purpose in life triggers an adventure of his own to live in the wilderness surrounding James Bay for almost a year. He is seeking solitude, but is unaware of the outer world following him. Among many plot diversions, he comes across a beached whale’s skeleton, representing the larger-than-life obstacles he is faced with. He decides to sit in it for a while and enjoy a few nips of whiskey, when suddenly he is not alone. Will is met with a set of grandparents and their two granddaughters, who mirror Annie and Suzanne with a highly effective linking seagull feather image, and his newly recovered shame of skipping town pushes him back to his problems at home. Climactically, a keepsake of Will’s grandfather from World War One debuting in Three Day Road saves him from falling to his biggest enemies, alcoholism and depression aside.
What do all the missed messages mean? Firstly, Annie’s silence regarding an important piece of information creates the initial tension in the story. Then, she must deal with this by ironically sending many more unheard tales to her laid up uncle. Eventually, the silence theme that looms about throughout the novel transforms into a humbling force for all the characters.
However, showing multiple characters missing integral messages becomes a daunting task, which Joseph Boyden masters in his Scotiabank Giller Prize winning novel, Through Black Spruce.
The novel opens with alcoholic bush pilot extraordinaire Will, the grandson of Elijah Whiskeyjack whom Boyden’s first novel, Three Day Road, follows. Speaking to his nieces Suzanne and Annie Bird from his hospital bed, not until the climax is the mystery of Will’s hospitalization revealed. But it only takes until the second narrative, led by Annie, to understand that Will is in a coma, and unable to speak. Thus, from the onset, a conversation is constructed between two people – Will and Annie – who cannot hear what each other is saying.
The novel bounces back and forth between Annie and Will’s narratives with each chapter. We learn that Annie is visiting her uncle on a regular basis, and has been told by Will’s nurse Eva, also a family friend, that speaking to him will help with a bountiful recovery (if a recovery is possible). Via Annie’s attempt to nourish her uncle’s brain, we learn her story.
Annie is back from a wild adventure in search of her long-lost sister, Suzanne, who is a semi-renowned fashion model. Still oblivious to her sister’s track to New York City, Annie makes her first stop in Toronto, the last known whereabouts of Suzanne to her family. Here she meets Painted Tongue, who is later revealed to be named Gordon, and turns out to be Annie’s self-proclaimed “protector.”
Painted Tongue does not speak, and we only understand his thoughts through Annie’s perception of his actions, moans, and moods. The mute Native character is actually a previously dawned character of Boyden’s: the protagonist of a short story, aptly named Painted Tongue, which makes up part of Boyden’s first book, a compilation of his short stories entitled Born With A Tooth. The short story explains why Painted Tongue does not speak: he chooses not to, in protestation to the way he is treated while living on the streets of Toronto. An alcoholic, Painted Tongue moans his way through life, refusing to converse with the neo-colonial symbols he encounters personified in police officers, construction workers, and elite businesspeople. The reader is forced to analyse why he is silenced. And, since he does not converse through language, how Annie Bird always knows what he is thinking – right up to the point of their consummation late in the plotline of Through Black Spruce.
From Toronto, Annie and her protector move on to NYC on a tip that Suzanne is there. Here, Annie is shadowed by the spirit of her missing sister, they fuse into one being. Annie meets Suzanne’s sketchy model-world friends, frequents her clubs, and begins modelling herself. After a while, though, Annie eagerly wants to know what happened to her sister, essential to Will’s current vegetative state. Annie begins to send postcards to her mother back in Moosonee, signed by missing Suzanne, offering another tweaked message image: the sender is absent. Ironically, Annie learns that there are more postcards being sent from Suzanne from around Europe, and Annie and Gordon quickly flee home.
Meanwhile, as Annie tells Uncle Will about her laborious, often life threatening adventures, Will pseudo-responds to her from beyond consciousness. He recounts his life as a bush pilot, flying hunters and travellers in and out of uncharted territories around James Bay, which took a turn for the worse when his family was killed in a house fire. In response, he intentionally crashes his plane, but is saved by the volunteer fire department. So, he drinks to ease his pain.
Will’s conceived purpose in life triggers an adventure of his own to live in the wilderness surrounding James Bay for almost a year. He is seeking solitude, but is unaware of the outer world following him. Among many plot diversions, he comes across a beached whale’s skeleton, representing the larger-than-life obstacles he is faced with. He decides to sit in it for a while and enjoy a few nips of whiskey, when suddenly he is not alone. Will is met with a set of grandparents and their two granddaughters, who mirror Annie and Suzanne with a highly effective linking seagull feather image, and his newly recovered shame of skipping town pushes him back to his problems at home. Climactically, a keepsake of Will’s grandfather from World War One debuting in Three Day Road saves him from falling to his biggest enemies, alcoholism and depression aside.
What do all the missed messages mean? Firstly, Annie’s silence regarding an important piece of information creates the initial tension in the story. Then, she must deal with this by ironically sending many more unheard tales to her laid up uncle. Eventually, the silence theme that looms about throughout the novel transforms into a humbling force for all the characters.
Originally published by campusintel.com
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